Learning from the Masters: Voice

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So last week I said I wanted to talk about something super-important in novel-writing: voice. This week I’m talking about the same thing, and showing an example of a completely different kind of voice.

In YA, you can sometimes read several books in a row all with similar voices. That’s why I love The Spectacular Now–the voice is so unique–and that’s also one of the reasons I adore Cassandra Clare’s Infernal Devices trilogy.

Take this passage:

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MK’s Book Reviews: The Mortal Instruments

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So I’ve finally finished The Mortal Instruments series by Cassandra Clare. (I say finally, but really it took me less than 2 months, with a couple other books in between. That’s not bad for six 500+ page books).

The Mortal Instruments is modern urban YA fantasy, about a teenage girl who discovers she’s actually a demon hunter, and is immediately drawn into a secret world of demons and angels and vampires and werewolves and magic. People draw a lot of parallels to Harry Potter, and I can see why (Clare actually started out as an internet-famous Harry Potter fanfic writer) but it’s definitely got a jibe all its own. It’s much more of a love story than HP ever was–the drawn-out sexual tension was one of the best things in the entire series–and it’s skewed to a slightly older audience. However, unlike Harry Potter, there were a jumble of things that weren’t particularly well-explained or well-plotted. Nevertheless, Clare is a beautiful writer, and this series was like crack to me–I could not stop reading.

This review covers all 6 books of The Mortal Instruments. I have NOT yet read the Infernal Devices (though I’m really looking forward to them!) so please don’t spoil anything for me in the comments I have read The Infernal Devices, and loved them even more; you can find my review of that series here.

Spoilers after the jump…

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